1,327 Royalty-Free Audio Tracks for "A Chord"

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

4-22B (minor sus4 chord) tetrachord on C

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Some chords played on an organ. It sounds like your in a cathedral. [cc zero].

A (5th) string 5th fret, and the d (4th) string 5th fret. Down strum. Palm muted.

Vocal style pad. Single chord shot. Smooth, futuristic, processed choir sound.

3-9A trichord on C. Sus2 chord.

3-12 trichord on C. Augmented chord.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box.

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

A dirty chord. Probably good for granular synthesis.

Short synth chord clip. Probably good for granular synthesis.

4-28 (diminished seventh chord) tetrachord on C

Dominant and dominant parallel in C minor: Gm and BM chords.

A noir-style vibraphone chord that might play when you find a clue or crack the case.

Short synth chord clip. Probably good for granular synthesis.

A piano chord on my keyboard.

4-26 (minor seventh chord) tetrachord on C

Dominant and dominant parallel in C major: GM and Em chords.

4-24 (aug. seventh chord) tetrachord on C

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

Major triad on C. Created using Sibelius.

Some chords played on an arp solina string ensemble going through an electro harmonix small stone phaser pedal. Let me know how you re-use it!.

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

Recorded classical guitar cuenca mod 10. Made in spain. The sound is recorded on condenser microphone octave mk-220 and fw 1814.

Ambient layered chime arpeggio.

Piano samples band filtered remix.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

A guitar riff made with openmodplug tracker.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Rap loop [cc zero]contains chords and bass, this sample is loopable.

Granular synth chord from some lo-fi noise i found, with additional reverb, width, and eq.

Man i keep making these loops lolol. The chords are e7 gmaj7 d7 d#7.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

♭III+ chord in just intonation. Pitch bend matches intervals.